NEW: TWENTY SIXTY SIX AND THEN- Reflections! - CD Second Battle • THE INFINITE TRIP - Illustrated Mind - LP (colour) Clostridium • THE INFINITE TRIP - Illustrated Mind - LP (black) Clostridium • SCHULZE, KLAUS - Das Wagner Desaster - 2 CD MadeInGermany • THE F.S.O. - The Far Seeing Oracle - CD Clostridium • SIXCIRCLES - New Belief - LP (blue) Nasoni • KOLLEKTIV - Kollektiv - 2 LP 1973 Longhair • AUTOMATISM - From The Lake - CD Tonzonen • AUTOMATISM - From The Lake - LP (marbled) Tonzonen • VERTICE - I Want A Boogie / Thinking On You - 7 inch WahWah • ACTION, THE - Rolled Gold - LP 1967 Guerssen • SUN DIAL - Science Fiction - LP (green) Sulatron • WYNDER K. FROG - Into The Fire - LP WahWah • WYNDER K. FROG - Sunshine Super Frog - LP WahWah • WYNDER K. FROG - Out Of The Frying Pan - LP WahWah • NINE DAYS WONDER - Nine Days Wonder - LP 1971 (green) Bacillus • BIXBY, DAVE - Ode to Quetzalcoatl - LP 1969 Guerssen • SILOAH - Sukram Gurk - LP 1972 WahWah + 1 bonus track • SILOAH - Siloah - LP 1970 WahWah + 2 bonus tracks • PYRAMIDAL - Live At The 7th Pnf - 2 LP (yellow) 2014 Sunhair • PYRAMIDAL - Live At The 7th Pnf - 2 LP (black) 2014 Sunhair • PYRAMIDAL - Live At The 7th Pnf - CD 2014 Sunhair • GILA - Night Works - LP 1972 Krautrock Garden Of Delights • PENTAGON - Die Vertreibung Der Bösen Geister - LP 1970 Garden Of Delights • WIGWAM - Dark Album - LP 1977 Svart • EILIFF - Close Encounter With Their Third One - LP 1972 Garden Of Delights • SPAWN - Spawn - EP (colour) Nasoni • COSMIC FALL - In Search Of Outer Space - LP (colour) + Poster Clostridium • COSMIC FALL - In Search Of Outer Space - LP (black) Clostridium • JUD`S GALLERY - 1972/1974 - 2 LP Longhair • >SOON:

SCHULZE, KLAUS - Dig It - LP 1980 Brain

Preis: EUR 25.02 (inkl. MwSt) zugzgl. Versandkosten

Versand Deutschland:	EUR 4.50
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Versand International:	EUR 6.50

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Kategorie:	Krautrock / Elektronik
Hersteller:	Brain
Original-Erscheinungsjahr:	1980
Produktionsjahr:	2017
Medium:	LP
Gewicht:	280 g
Land:	Deutschland
Bearbeitungszeit:	1 Tag
Link auf die Plattform der EU-Kommission zur Online-Streitbeilegung:	http://ec.europa.eu/consumers/odr

Klaus Schulze about 'Dig It':
With 'Dig It' I did all the work with the computer for the first time, and in this respect it was my first 'digital' album. I played and mixed everything with this G.D.S. A really tremendous gear! The sound was caustically clean. So I told myself: As I already have this gear I will really do everything with it. The drums were the only thing I had to record on a separate track because the G.D.S. had no drum sounds. So I got hold of Fred Severloh to play live drums on 'Death Of An Analogue'. For this pounding rhythm, I thought, you really need fat drums! But it was - just the same with my vocoder voice which you can hear on this song - only a matter of the right dramaturgy, the right effect. It wasn't my consideration just to bring in another 'human' element because I don't make such a distinction. For me electronics are as human and natural as any other instrument. Violins, as I always say, don't grow on trees either! For 'Weird Caravan' I had borrowed a loop by Ideal. Usually, I don't borrow anything. I do all loops and samples on my own. But in this case Ideal's drummer [Hans-Joachim Berendt] played something which I found really great. I said: 'Do you mind if I cut out 1,5 meters here?' Using two tape machines I glued the tape together and run it as a loop - because, you know: 'The looper isn't a hooker.' Even when you're repeating yourself you're still no whore, haha. The bonus title, 'Esoteric Goody', is a very abstract piece of music. I have again listened to it after a long time now. It reminds a bit of the intro for 'Destination Void' from the 'Mirage' album [1977]. But then this song featured a real mellotron, the heavy mechanics, not a sample. 'Esoteric Goody' originated during the phase of 'Dig It', so I think it fits well as a bonus track for the 'Dig It' CD. The song shows the experimental side of Schulze. The 'Stahlsinfonie' (Symphony in Steel) on the bonus DVD is a recording of my concert at the 'Ars Electronica' in Linz, Austria, back in 1980. On September 8th I had opened this festival following an invitation of the ORF (Astrian Broadcasting Corporation). I have played in the big hall of the Brucknerhaus, and from the outside sounds were transmitted which were made by the steel workers of the steel works VOEST-ALPINE. But I wouldn't want to use their sounds as a playback recording made beforehand - I wanted them to play live! The promoters made it work by using various telephone lines. Along the river Danube there were PA towers erected at a distance of two or three kilometres so really the entire city of Linz could listen to the music. At the end of the concert, the workers joined me on stage.

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